Various Wonders 2023

What a year. I hope these last twelve months have been gentle on your health and kind to your peace of mind. I have much to say about all that’s going on, but I write my sputtering outrage and grief for the world in other places. In the spirit of sharing good things, here are some joys and wonders I’ve encountered in these last 12 months.

~Magical walks each week with people I love. (The picture, above, is from one such walk. No filters, I’m too lazy for photo fussing.)

~I savor our family Sundays with games and food and conversation and silliness and extra dogs and the people who willingly take leftovers home. I keep those who are missing from our gatherings in my heart.  

~I’m incredibly lucky people continue to put up with my ongoing covid restrictions. They agree to get together for a walk rather than out for coffee, hold meetings in the park or on a patio, take covid tests before coming to my house, and endure zoom rather than in-person classes.

~One of my life’s deepest joys come from teaching writing classes, particularly memoir classes.  It’s a privilege to witness the incredible connecting power of shared stories. At the close of each 6 or 8 week session of memoir classes I encourage writers to continue on as a group. I am thrilled so many have done so. One group of writers has been meeting 11 years, another for seven years, others are in their first few years of supporting one another’s writing.  

~My favorite job ever continues to be serving as editor of Braided Way: Faces & Voices of Spiritual Practice. It’s here on the web and here on Facebook. Here are this year’s nominees for writing awards:

Best of the Net
Pushcart
Best Spiritual Literature

~I also continue to work with wonderful writers as a book editor. I’m in the background, a sort of labor coach, as their new creations are readied to enter the world. Each birth is a thrill.

~It may seem odd to include this as a wonder, but our elder dog lived well into his 17th year. He continued to enjoy his food, his outings, and his snuggles right up to the end. Thank you for all our years together Cocoa Bean.

~I’m grateful to have poems and essays published this year. Several are in wonderful anthologies including The Wonder of Small Things: Poems of Peace & Renewal edited by James Crews and Poetry of Presence II: More Mindfulness Poems edited by Phyllis Cole-Dai and Ruby Wilson. Here are a few of the online offerings:

Last of the Honey” in The Inquisitive Eater

Ordinary Substance” in One Art

Oil Painting of a Tree-Lined Path” in Thimble

I sing the song the dishwasher makes mid-cycle” in The Shore

Carnival” in Gastropoda

Urgent” in Poetry Breakfast

Lollipop Epiphany” in Dorothy Parker’s Ashes

~So. Many. Good. Books. My goodness, I feel richer than any billionaire thanks to the wealth of library books available from Medina County District Library. Here are titles of a few of my very favorite reads this year. (I try to keep an up-to-date list on Goodreads, mostly to spare myself from forgetting titles I’ve already read.)  

Immersive and amazing nonfiction read this year includes:

Cosmogenesis: An Unveiling of the Expanding Universe by Brian Swimme 

Becoming Animal: An Earthly Cosmology by David Abram

Master Slave Husband Wife: An Epic Journey from Slavery to Freedom by Ilyon Woo

We Are The ARK: Returning our Gardens to Their True Nature Through Acts of Restorative Kindness by Mary Reynolds

Awe: The New Science of Everyday Wonder by Dacher Keltner

The Black Friend: On Being a Better White Person by Frederick Joseph

The Escape Artist: The Man Who Broke Out of Auschwitz To Warn the World by Jonathan Freedland

Light the Dark: Writers on Creativity, Inspiration, and the Artistic Process  edited by Joe Fassler

Take Back the Magic: Conversations with the Unseen World by Perdita Finn

Four Thousand Weeks: Time Management for Mortals by Oliver Burkeman

The School That Escaped the Nazis: The True Story of the Schoolteacher Who Defied Hitler by Deborah Cadbury

Life at the Edge of Sight: A Photographic Exploration of the Microbial World by Scott Chimileski

All the Ways Our Dead Still Speak: A Funeral Director on Life, Death, and the Hereafter by Caleb Wilde

The Green Boat: Reviving Ourselves in Our Capsized Culture by Mary Pipher

Play, Make, Create: A Process-Art Handbook by Meri Cherry

Bittersweet: How Sorrow and Longing Make Us Whole by Susan Cain

A Walking Life by Antonia Malchik

Immersive and amazing memoirs read this year include:

The Wild Boy by Paolo Cognetti

The Salt Path by Winn Raynor

Tasting the Sky: A Palestinian Childhood by Ibtisam Barakat

Balcony on the Moon: Coming of Age in Palestine by Ibtisam Barakat

A Place Called Home by David Ambroz

We Are Bridges by Cassandra Lane

Dreams of Trespass: Tales of a Harem Girlhood by Fatema Mernissi

You Could Make This Place Beautiful by Maggie Smith

How To Say Babylon by Safiya Sinclair

Colored People by Henry Louis Gates

Girl Factory by Karen Dietrich

A Childhood: The Biography of a Place by Harry Crews

Immersive and amazing novels read this year include:

Go As a River by Shelley Read

At Hawthorn Time  by Melissa Harrison

Cloud Cuckoo Land  by Anthony Doerr 

Evidence of Things Unseen by Marianne Wiggins

The Glass Chateau by Stephen Kiernan

Alchemy of a Blackbird by Claire McMillan

To Cook A Bear by Mikael Niemi

You Are Here by Karin Lin-Greenberg

Take What You Need by Idra Novey   

Now Is Not The Time To Panic by Kevin Wilson

The Storied Life of A.J. Filkry by Gabrielle Zevin

The Silver Star by Jeannette Walls

We The Animals by Justin Torres

Happiness Falls by Angie Kim  

The Vaster Wilds by Lauren Groff

~We still aren’t back to the joys of hosting potlucks, house concerts, or art parties here. Damn covid again. But art with these co-collaborators is an immeasurable delight.

I hope 2024 brings you wonder, meaning, playfulness, and love. May this beautiful world of ours begin to heal.

Favorite 2022 Reads

It has been another long pandemic year with nearly every planned gathering, class, and adventure cancelled. Far far worse, this was also a year in which several friends died.

I am deeply grateful for wonderful people both irl and online, for the playful comfort of companion animals, for the mentors found in every one of nature’s inhabitants. And, as always, for the restorative pleasures of reading. Here’s a short look at some of the most memorable books I read this year.

FICTION

The Book of Form and Emptiness (indie link) by Ruth Ozeki
You know the feeling when you’re only a few pages in and recognize, through your whole body, you’ve stumbled on a magnificent book? One that is beautifully written by a person whose wisdom and insight will affirm what you haven’t ever been able to articulate? For me, The Book of Form and Emptiness is one such book. I adore the memory of Kenji, I understand Annabelle, I resonate with Benny, especially since we both recognize a soul in what others regard as “things.” I grieve the loss of Kenji, I am fascinated by The Aleph, I respect and admire Slavoj. And oh, the voice of Book, who speaks for all books, who knows and understands as I’ve always thought books did.

Here’s a glimpse of what Book has to tell us. ““Every person is trapped in their own particular bubble of delusion, and it’s every person’s task in life to break free. Books can help. We can make the past into the present, take you back in time and help you remember. We can show you things, shift your realities and widen your world, but the work of waking up is up to you.”

And another. “Is it odd to see a book within a book? It shouldn’t be. Books like each other. We understand each other. You could even say we are all related, enjoying a kinship that stretches like a rhizomatic network beneath human consciousness and knits the world of thought together. Think of us as a mycelium, a vast, subconscious fungal mat beneath a forest floor, and each book a fruiting body. Like mushrooms, we are a collectivity. Our pronouns are we, our, us.”

And, as a writer, I take this to heart. “The first words of a book are of utmost importance. The moment of encounter, when a reader turns to that first page and reads those opening words, it’s like locking eyes or touching someone’s hand for the first time, and we feel it, too. Books don’t have eyes or hands, it’s true, but when a book and a reader are meant for each other, both of them know it,”

Let yourself slide into this book while holding a book (or a tablet) believing it is also aware you are holding it…

Bewildermen (indie link) by Richard Powers   
I was completely enraptured by this book. Powers deftly lets the reader inhabit what might be called a “different” mind via the excruciating awareness of a gifted child who is grieving the loss of his mother while simultaneously grieving his species’ relentless assault on Earth’s lifeforms. I felt for this child while also identifying with the father, who is experiencing these same trials while trying to lift his son toward a hopeful future. As the father notes, “Life is something we need to stop correcting. My boy was a pocket universe I could never hope to fathom. Every one of us is an experiment, and we don’t even know what the experiment is testing.”

There’s so much brought into this masterful book – science, faith, dedication, sorrow, beauty, creativity, judgement’s cruelties, and transcendence found in unspoiled nature. It also speaks to how those we love are never really gone. “Life itself is a spectrum disorder, where each of us vibrated at some unique frequency in the continuous rainbow.”

Okay, one more quote: “Oddly enough, there’s no name in the DSM for the compulsion to diagnose people.”

Lessons in Chemistry (indie link)  by Bonnie Garmus
Triumph is not too strong a word for this debut novel. There’s so much intelligence and insight in this book — the main character, her young daughter, and the dog as notable examples. The author brings us directly into the unrelenting misogyny of the 1950s and 60s, doing so with respect for women who push back as well as empathy for women who do not.  “Whenever you feel afraid, just remember,” Garmus writes. “Courage is the root of change – and change is what we’re chemically designed to do. So when you wake up tomorrow, make this pledge. No more holding yourself back. No more subscribing to others’ opinions of what you can and cannot achieve. And no more allowing anyone to pigeonhole you into useless categories of sex, race, economic status, and religion. Do not allow your talents to lie dormant, ladies. Design your own future. When you go home today, ask yourself what YOU will change. And then get started.”                        

This is a wise, savvy story with a generous backbone. It’s particularly jarring to see the cartoonish cover the publisher chose for this top of the class book — perhaps unintentionally reinforcing the theme that women have a great deal more to overcome.

Here’s one more exhortation the author offers. “No surprise. Idiots make it into every company. They tend to interview well.”

Nothing To See Here (indie link)  by Kevin Wilson
Wildly improbable and incredibly engaging story about class division, hypocrisy, loneliness, responsibility, disability, and hope. You’ve definitely never read a novel about caring for fire-starting children while their politician father gets on with his career.  Here are two quotes to enjoy:  

“Who would judge you?” she asked. “Who do you know who’s done a good job? Name one parent that you think made it through without fucking their kid up in some specific way.”

“Timothy’s eyes kind of flashed with recognition, as if the seventeenth-century ghost who lived inside him had suddenly awakened.”

A Girl Called Rumi (indie link) by Ari Honarvar
Beauty, tragedy, and the lure of poetry carry us through back and forth between 1981 Shiraz, Iran and 2009 San Diego, as well as a realm beyond the physical world where mystical teachings of ancient Persia hold sway. “Tears pooled in my eyes as my mother’s recent poem came to mind, “ Honarvar writes. “It was about the four-thousand-year-old cypress that longed for the forest of her youth –before the insatiable darkness of winter devoured pleasant memories of blues skies and sunshine and before gardeners became lumberjacks.”

The Sentence (indie link) by Louise Erdrich
So much to savor from this prolific and deeply wise author. Here she writes about the power books (and tradition and love and fear) have over us. I love Louise Erdrich’s writing, including her wonderful Birchbark House children’s series. The Sentence absolutely flows, as if effortlessly served, and the characters stay with me. Here are a few quotes to give you a taste.

“You can’t get over things you do to other people as easily as you get over things they do to you.”     

“Small bookstores have the romance of doomed intimate spaces about to be erased by unfettered capitalism.”             

“Every world-destroying project disrupts something intimate, tangible, and Indigenous.”

Boy’s Life (indie link) by Robert McCammon    
This is a rousing adventure story, a perfect distraction from current events. The main character, who entertains his friends with preposterous stories, is also living in such a story. While it’s mostly a coming-of-age tale told by an author who sometimes can’t help but bemoan the changes “progress” brings, it has just enough danger, mystery, and otherworldly strangeness to keep the reader going for 625 pages.

Here’s a quote I savored and shared years before actually reading this novel. “We all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God’s sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they’d allowed to wither in themselves.”                            

It felt, reading this, as if McCammon was speaking directly to my experience. He writes, “It seemed to me at an early age that all human communication — whether it’s TV, movies, or books — begins with somebody wanting to tell a story. That need to tell, to plug into a universal socket, is probably one of our grandest desires. And the need to hear stories, to live lives other than our own for even the briefest moment, is the key to the magic that was born in our bones.”      

And this. “When you look at something, don’t just look. See it. Really, really see it. See it so when you write it down, somebody else can see it, too.”

The Memoirs of Stockholm Sven (indie link) by Nathaniel Ian Miller    
Stories have a strange magic. We come to care about the characters, especially when they evoke that stirring sense of “same” with the reader.

By the end of the book, I felt I understood Sven. What an interesting character. Here’s a man whose choices bring him little in the way of creature comforts, although he works tirelessly to keep himself alive, but who also thrives best when reading or observing nature. A man whose self-abnegation and disregard for others’ feelings shifts into a profound ability to connect and care thanks to those who have reached out to him. A man who judges entire nationalities as lazy, boorish, or stupid yet nearly every other character breaks free of prejudicial ideas about women’s roles, sex work, teen pregnancy, and war itself.

I enjoyed Sven’s curmudgeonly insights. Like this one. “A life is substantially more curious, and mundane, than the reports would have it. And in truth, though I am known—within the tiny dewdrop circles of the unlikely few who know of me—as a solitary, unmatched Arctic hunter, I am no such thing, and I was seldom alone.”

And my common ground with Sven’s love of reading. “I had no interest in destiny. I knew I wasn’t on the earth to please anyone, let alone God. I was just restless. National pride, military service, ribald songs, the sound of grown men laughing, air exchanged between several people in a tight space—they are all among the variety of things I found repellent. I suppose I still do. But they are also cherished staples of Swedish society. In the rather trite throes of alienation and disaffection, I turned instead, as so many youths before me have, to books.”

Much as I appreciated the character of Sven, I utterly adored Charles MacIntyre, Taino, and Skuld. If only a book’s magic would allow us to absorb and take on the qualities we most admire in its characters.

Eve Green (indie link) by Susan Fletcher 
Fletcher is a rare writer. Her keen observations hold transcendent beauty, yet somehow she folds them into the story gently, without puffery. Her novel Corrag (released in the U.S. as The Highland Witch) is my favorite of hers but I’m holding back on reading all of her works, saving them the way one might save the good wine for a special occasion. Eve Green is her first novel, describing an orphaned girl growing up in her grandparent’s Welsh home surrounded by pastoral beauty as well as by painful lies.

“Love is blind, they say–but isn’t it more that love makes us see too much?” Fletcher writes. “Isn’t it more that love floods our brain with sights and sounds, so that everything looks bigger, brighter, more lovely than ever before?”

Unlikely Animals (indie link) by Annie Hartnett
A young woman returns home after dropping out of medical school, doing what she can to care for her father in this tragic yet witty story that somehow pulls together a missing person search, lost healing powers, a millionaire’s secret get-away, and a naturalist’s ghost in this story of intergenerational healing. Harnett writes, “Her father often said that a poet loves anything that better illuminates the daily horror of being alive.” This entertaining read seems too short, even at 368 pages.                 

Dancing in the Mosque: An Afghan Mother’s Letter to Her Son (indie link) by Homeira Quaderi
This is structured as a mother’s letter to the child she longs for. Her story asks us to consider the lives of Afghani women, their sacrifices, and what a mother will endure to protect the people she loves.

Quaderi writes, “My grandmother believed that one of the most difficult tasks that the Almighty can assign anyone is being a girl in Afghanistan. As a child, I didn’t want to be a girl. I didn’t want my dolls to be women.”

This Tender Land (indie link) by William Kent Krueger    
This beautiful, disturbing, and absorbing novel has a lot in common with The Lincoln Highway — four kids on the lam with resulting violence as well as insight— except Krueger published this before Towles wrote his bestseller. I’m still troubled by the ending of Towles’ book. This Tender Land, in contrast, ends on a truly redemptive note. Here are two glimpses of Krueger’s writing.

“Our former selves are never dead. We speak to them, arguing against decisions we know will bring only unhappiness, offering consolation and hope, even though they cannot hear.”     

“Me, I love this land, the work. Never was a churchgoer. God all penned up under a roof? I don’t think so. Ask me, God’s right here. In the dirt, the rain, the sky, the trees, the apples, the stars in the cottonwoods. In you and me, too. It’s all connected and it’s all God.”

 NONFICTION

How to Do Nothing: Resisting the Attention Economy (indie link) by Jenny Odell
The author reminds us our attention as the most precious—and overdrawn—resource we have. As she writes, “If we have only so much attention to give, and only so much time on this earth, we might want to think about reinfusing our attention and our communication with the intention that both deserve.” This book doesn’t rail at us to renounce technology and get back to nature (or our own navels). Instead it asks us to look at nuance, balance, repair, restoration, and true belonging. She writes beautifully. Here’s a snippet.      

“In that sense, the creek is a reminder that we do not live in a simulation—a streamlined world of products, results, experiences, reviews—but rather on a giant rock whose other life-forms operate according to an ancient, oozing, almost chthonic logic. Snaking through the midst of the banal everyday is a deep weirdness, a world of flowerings, decompositions, and seepages, of a million crawling things, of spores and lacy fungal filaments, of minerals reacting and things being eaten away—all just on the other side of the chain-link fence.”        

The Book of Hope: A Survival Guide for Trying Times (indie link) by Jane Goodall and Douglas Abrams
I really needed this book when I read, or actually listened to it. I don’t think the back and forth interview style enhanced the content but I loved hearing Jane’s voice on the audiobook. She shared stories about her wartime childhood, the disappointments that serendipitously led her to her life’s work, and about what it means to be an ambassador for a sustainable world. I was glad to hear her respond to vital questions such as “How do we stay hopeful when everything seems hopeless?” and “How do we cultivate hope in our children?” She says, “Hope is often misunderstood. People tend to think that it is simply passive wishful thinking: I hope something will happen but I’m not going to do anything about it. This is indeed the opposite of real hope, which requires action and engagement.”

Walking in Wonder: Eternal Wisdom for a Modern World (indie link) by John O’Donohue This is a posthumous collection from the Irish poet-theologian. I listened to the audiobook narrated by the author’s brother Pat O’Donohue. I play library CDs in my elderly car, so I absorbed this in small doses, which felt like a perfect way to appreciate O’Donohue all over again. And there’s so much wisdom here to absorb. For example, “If you go out for several hours into a place that is wild, your mind begins to slow down, down, down. What is happening is that the clay of your body is retrieving its own sense of sisterhood with the great clay of the landscape.”

Here’s another. “One of the sad things today is that so many people are frightened by the wonder of their own presence. They are dying to tie themselves into a system, a role, or to an image, or to a predetermined identity that other people have actually settled on for them. This identity may be totally at variance with the wild energies that are rising inside in their souls. Many of us get very afraid and we eventually compromise. We settle for something that is safe, rather than engaging the danger and the wildness that is in our own hearts. We should never forget that death is waiting for us.” 

And one more, this from a man who died too young at the age of 52, “Walk around feeling like a leaf. Know you could tumble any second, then decide what to do with your time.”

Inflamed: Deep Medicine and the Anatomy of Injustice  (indie link) by Rupa Marya and Raj Patel    What the authors mean by “deep medicine” is health in the context of family, community, and interconnection with the web of life. As the authors observe, “the body is itself a kind of place—not a solid object but a terrain through which things pass, and in which they sometimes settle… To wonder why some things settle in some bodies and not in others is to begin to ask questions about power, injustice, and inequity.” This is an astute, illuminating, and necessary read.

Inciting Joy: Essays (indie link) by Ross Gay  
This is exactly the book I needed on a sad day. It is tender and informed wisdom. Each section brims with bittersweet awareness of why joy is so necessary, even life-giving, among all that’s broken. In the first few pages I thought about getting highlighters to mark up the most memorable passages, but realized I’d be rainbowing the whole book. I may love the way the author writes but love even more his warm, witty, fiercely furious footnotes. 

“Sharing what we love is dangerous,” Gay writes. “It is vulnerable, is like baring your neck, or your belly, and it reveals that, in some ways, we are all commonly tender.”     

“It seems to me that grief is not gotten over, it is gotten into. And the griever teaches us, or reminds us, there is no pulling it together. There are only degrees or expressions of falling apart. Because grieving, alert to connection, luminous with it, is never only one person’s experience. In fact, I think it is the case that grieving, or the griever, consciously or not, connects to all of grief, and to all grievers, and which is perhaps why there are some traditions in which the griever is held in constant vigil for a long time—those traditions understand the griever is entering the oceanic sorrow, is drifting into it. And those traditions know, connected as we are, we are obligated to keep an eye on each other as the waters of grief close behind us.”

Rooted: Life at the Crossroads of Science, Nature, and Spirit (indie link) by Lyanda Lynn Haupt   
This is an inspiring look at our inextricable connection to all of nature. Haupt winds threads of poetry, myth, and storytelling through the loom of multiple scientific disciplines in chapters with reader-focused titles such as “listen,” “wander,” “immerse,” “unsee,” and “create.” I’ve read a lot of similar works, yet truly appreciate the beautiful way this author pulls it together along with gently constructed reminders about what’s necessary and true. Here’s a glimpse of her work.

“We have come to an earthen moment wherein we must make all the connections we are able with the whole of life, no matter how at-risk that puts our public-facing façade of normality. Look at the vapid homogeneity of the wealth-based, earth-denuding, dominant culture: is this the approval we seek? When we turn to the sweet, ragged edges of society, we see the people carrying violins, mandolins, pens, microscopes, walking sticks. The ones with ink on their hands, paint on their faces, mosses in their hair, shirts on sideways because they have been awake all night in the thrall of a new idea. This is where the art of earth-saving lies. We are creating a new story –one of vitality, conviviality, feralness (escape!), wildness, nonduality, interconnectedness, generosity, sensuality, creativity, knowledge of the earth and all that dwells therein.”

Riding the Lightning: A Year in the Life of a New York City Paramedic (indie link) by Anthony Almojera
This straightforward and gripping memoir is by a first responder who had seen it all, until the pandemic hit. His account shares his own story as well as those of patients and coworkers. He writes, “I thought I could handle anything my job threw at me. That I could witness any amount of suffering. That I was someone people could lean on. After all, I was the senior paramedic, the man who could restart a person’s heart or detect a ruptured aneurysm… I was the union vice president, the one who blasted the higher-ups on Twitter and butted heads with them in person to defend my coworkers’ rights. I was also the guy who cooked a nine-course meal for his friends at Christmas and organized group vacations to Hong Kong and Dublin and Uganda. I thought I had all the answers.” This is quite a read.

Body Work: The Radical Power of Personal Narrative (indie link) by Melissa Febos.
Febos demonstrates the subversive power of self-reflection in a time when women’s narratives are still derided. The personal is indeed the political, not only for the benefit of the writer but for our culture.

The author writes, “Listen to me: It is not gauche to write about trauma. It is subversive. The stigma of victimhood is a timeworn tool of oppressive powers to gaslight the people they subjugate into believing that by naming their disempowerment they are being dramatic, whining, attention-grabbing, or else beating a dead horse. By convincing us to police our own and one another’s stories, they have enlisted us in the project of our own continued disempowerment.” 

And this, which really begs to be cross-stitched and hung on walls. “I asked the clinician, ‘Is there therapy for women with Patriarchy? I’m asking for every friend I have.'”

Lost & Found (indie link) by Kathryn Schulz
A memoir as well as extended exploration into the meaning of loss and  discovery. Schulz writes, “We live remarkable lives because life itself is remarkable, a fact that is impossible not to notice if only suffering leaves us alone for long enough.”  

The author takes a piercing look at the paradoxes perplexing her. She notes, “One of them, akin to the feeling of losing something, is that the universe is dauntingly large and we are terrifyingly insignificant. The other, akin to the feeling of finding, is that the universe is dauntingly large and yet here we are, unimaginably unlikely and therefore precious beyond measure. As with so many other contrasting feelings, most of us will experience both of these eventually.”

Time to Create: Hands-On Explorations in Process Art for Young Children (indie link) by Christie Burnett.
I have a thing for process-oriented approaches to creativity, especially for kids. There are lots of inspiring books out there which, like this one, emphasize open-ended exploration of drawing, painting, printmaking, sculpture, and more — pushing back against the early ed as well as craft kit-based focus on cookie-cutter projects.  

That Bird Has My Wings: The Autobiography of an Innocent Man on Death Row  (indie link) by Jarvis Jay Masters
The Adverse Childhood Experiences scale couldn’t possibly rate the traumas this author endured from infancy on. Masters and his three siblings were severely neglected by drug-addicted parents. The children ended up in the foster care system, worse, they were separated from each other. For the first few years Masters lived with an elderly couple who guided him with kindness and love. Too soon he was tossed into a series of foster homes and institutional settings.

He does not forget to highlight the positives he experienced, rare moments of peace in the midst of turmoil. Once, a teacher in a youth correctional facility asked students to help move desks and chairs to the edge of the classroom. “Then he sat us all down in a circle, brought out his guitar, and sang songs. We recognized the lyrics—the poems and stories we ourselves had written! After that I wrote more, searching dictionaries for new words to express myself. Every day we walked out of class believing that what we did mattered.”

But eventually he turned in the direction of violence. He writes, “I began to appreciate myself more by breaking the rules. I was putting myself in charge of why I was not going home, so having no home didn’t hurt the way pain does when you have no control.”

Masters opens up to the study and practice of Buddhism, which changes his life. He still remains on death row for a crime he did not commit.

Did Ye Hear Mammy Died? A Memoir (indie link) by Séamas O’Reilly
Witty yet tender account of how a family goes on after a mother of 11 dies. The author is five years old when it happens. He writes their home is decked out for the wake with “folded chairs, industrial quantities of tea, and [an] expanding population of desolate mourners.” Being so young, O’Reilly didn’t understand “the solemnity, not to mention the permanence” of his mother’s death. So he went around the wake “appalling each person on their entry to the room by thrusting my beaming, 3-ft. frame in front of them like a chipper little maître’d, with the cheerful enquiry: ‘Did ye hear Mammy died?'”

The author’s father is not a man who accepts pity, although he is a singular character described as “God’s one, true, perfect miser.” This is a charming, often laugh-aloud account of how O’Reilly continues to have a childhood. As he explains, “I’d laugh and cry and scream about borrowed jumpers, school fights, bomb scares, playing Zelda, teenage bands, primary-school crushes…I’d just be doing it without her.”  

The Angel and the Assassin: The Tiny Brain Cell That Changed the Course of Medicine (indie link) by Donna Jackson Nakazawa
Thanks to insomnia, I read a good pile of books each week. I stayed up nearly all night to finish Nakazawa’s revolutionary & relevant-to-everyone The Angel and the Assassin. Suggestion –you’ll want a highlighter and post-its. Here are two tidbits:

“The higher an individual’s levels of inflammatory biomarkers, the more prevalent their psychiatric symptoms tend to be… This turns out to be true even when no signs of physical illness or inflammation are detected.”

“Whatever term we use to refer to these brain changes, they all mean the same thing: Tiny microglia are engulfing and destroying synapses, and this is the catalyst that sets in motion hundreds of different disorders and diseases that have long remained the black box of psychiatry and neurology. This means that the long-held line in the sand between mental and physical health simply does not exist. When an individual’s immune system is overtaxed, for some, disease may show up in the brain, while for others it may show up in the body. It could inflame your joints, or your mind — or both.”

The author shares information about possible treatments to restore the activity of our brain’s immune reaction, moving from over or under-reaction to a healthy mean. This has profound implications for dementia, depression, and many other conditions resistant to treatment.

My only criticism is I wish the author had used a less gee-whiz tone when writing about these potential cures and had stepped well away from the proprietary side of the fast-mimicking diet, but these are minor issues for a huge wow of a book.

Slow Stitch: Mindful and Contemplative Textile Art  (indie link) Claire Wellesley-Smith
I love all kinds of art-making— street art, found art, textile art, outsider art, repurposed anything. Books like this one help me dream of doing more innovative sewing. The author wends her own thoughts along as she shares work from individual and community projects that beautifully transcend how-to’s, patterns, and rules.  

The Nature of Nature: Why We Need the Wild (indie link) by Enric Sala
The author, director of National Geographic’s Pristine Seas project (which has succeeded in protecting more than 5 million sq km of ocean), writes about his transition from academia to activism. He writes, “A degraded environment is a hotbed of all the problems affecting humanity” and clearly explains how saving nature saves us all, whether the topic is feeding the world, preventing the next pandemic, or halting climate change. As he says, “We are in the midst of an existential crisis, not only affecting the survival of our very society, but also about our place in the world.”

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This is just a sample of favorite reads from 2022, a small-ish sample based on the 207 books read this year. I keep track of my reading diet on Goodreads, mostly to keep myself from starting a book I’ve already read but also to give stars to authors who always benefit from positive reader feedback. I’m not good at plugging my own books but they, too, are hungry for readers.

Here are my recent favorites lists:

Favorite 2021 Reads (if you can tolerate the unfixably bad format of this post)

Favorite 2020 Reads

I’d love to hear about your favorites in the comments. And happy reading!

Libraries = Freedom: Resist Book Censorship

“A library in the middle of a community is a cross between an emergency exit, a life raft ,and a festival. They are cathedrals of the mind; hospitals of the soul; theme parks of the imagination. On a cold, rainy island, they are the only sheltered public spaces where you are not a consumer, but a citizen, instead. A human with a brain and a heart and a desire to be uplifted, rather than a customer with a credit card and an inchoate “need” for “stuff.” A mall—the shops—are places where your money makes the wealthy wealthier. But a library is where the wealthy’s taxes pay for you to become a little more extraordinary, instead. A satisfying reversal. A balancing of the power.”  ~Caitlin Moran  

It’s downright magical to start reading a new library book and realize it’s a really good one. Like the magic of running errands and every traffic light is green, only a million times better. Lately, nearly every book I’ve brought home from the library has been one of those immersive delights. Good books are downright soul-saving for me in a time when the world’s news is so dire. The last few weeks I savored (among others) Richard Power’s Bewilderment, Javier Zamora’s Solito, Robert McCammon’s Boy’s Life,  Dani Shapiro’s Signal Fires, Anthony Almojera’s Riding The Lightning, and Sharon Blackie’s Hagitude. Compelling, immersive, and entirely free to enjoy thanks to my local library.

Libraries have been a constant in my life from the time I learned to read. I’ve written about why I’m a library addict and the concept of library angels and how libraries changed lives. Libraries are unique public spaces, existing entirely for the common good.

As many have noted, if public libraries weren’t already part of our society, the concept would be considered an outrageous and dangerously liberal idea.

History tells us the first modern public library in the U.S. opened in 1833, in Peterborough New Hampshire, based on the radical notion that books should be made available to all classes. Before that time there were plenty of libraries run by social clubs or academic organizations, but available only to fee-paying members. Historian James Truslow Adams, who popularized the term “the American Dream” in his 1931 book The Epic of America, wrote that the public library is the “perfect concrete example” of the American Dream in action.

But of course, that’s not the whole story. During the Reconstruction Era and beyond, Black Americans established more than 50 literary and library societies in Northern cities. One example is the Philadelphia Library Company of Colored Persons, founded in 1833. Another is the Louisville Western Branch Library in Louisville, Kentucky — the first public library in the U.S. run by and serving Black patrons. At that time, and well after, nearly all public libraries excluded Black people from borrowing books, oftentimes even from entering the building. Full access to public libraries came about through brave desegregation efforts (often by students) although whites-only libraries weren’t abolished by federal law until the Civil Rights Act of 1964.

The U.S. also has an ugly history of book banning. The first book banned here was by Thomas Morton, who arrived in Massachusetts with the Puritans, but didn’t appreciate their strict rules. In 1637 he published a volume so critical of the Puritans that he compared them to crustaceans. They banned his book.  

In the centuries since, all sorts of books have been banned, from Uncle Tom’s Cabin by Harriet Beecher Stowe to comic books. Pen America reports that in the eleven months between July 2021 to June 2022, there were 2,532 instances of individual books being banned in school libraries and classrooms across 32 states. This is the result of concerted effort by 50 groups pushing for book bans, the majority of these groups formed in the last year. These “parents’ rights” groups seem like grassroots efforts, but are actually instigated and funded by wealthy conservative donors.

Books are the most challenged library material at a frightening 73%, with 43% of challenges taking place at public libraries.

These deeply undemocratic efforts are part of a larger effort to control what students learn as well as what teachers can discuss. There are, in many places, new “soft censorship” rules requiring young people to get parental permission to read certain books or get parental signatures for new opt-in policies. Some schools are forming committees or hiring consultants to “review” every book for “appropriateness.” In other places, books are quietly removed from shelves to avoid vehement anti-book activists.

This is a crisis. As the Prindle Post (a publication examining ethical issues) reports,

Throughout the summer, armed Idaho citizens showed up at library board meetings at a small library in Bonners Ferry to demand that a list of 400 books be taken off of the shelves. The books in question were not, in fact, books that this particular library carried. In response to the ongoing threats against the library, its insurance company declined to continue to cover them, citing increased risk of violence or harm that might take place in the building. The director of the library, Kimber Glidden, resigned her position in response to the situation, citing personal threats and angry armed protestors showing up at her private home demanding that she remove the “pornography” from the shelves of her library.

This behavior is far from limited to the state of Idaho. In Oklahoma, Summer Boismier, an English teacher at Norman High School was put on leave because she told her students about UnBanned — a program out of the Brooklyn Country Library which allows people from anywhere in the country to access e-book versions of books that have been banned. The program was designed to fight back against censorship and to advocate for the “rights of teens nationwide to read what they like, discover themselves, and form their own opinions.” Boismier was put on leave after a parent protested that she had violated state law HB1775 which, among other things, prohibits the teaching of books or other material that might make one race feel that they are worse than another race…

Many states have passed laws banning books with certain content, and that content often involves race, feminism, sexual orientation, and gender identity. And prosecutors in states like Wyoming have considered bringing criminal charges against librarians who continue to carry books that their legislatures have outlawed.

BUT this isn’t what most of us want. An EveryLibrary Institute survey completed in September of this year, before the recent election, tells us:

  • Voters love librarians and rank librarians as twice as favorable as their governors, the Democratic Party, the Republican Party, Donald Trump, and Joe Biden.
  • 95% of Democrats, 80% of independents, and 53% of Republicans are against book bans.
  • Just 8% of voters believe “there are many books that are inappropriate and should be banned.”
  • More than 90% of voters are against banning the hundreds of classic novels and children’s books that extremist groups have targeted for banning.
  • More than 50% of voters are concerned about legislation being created to regulate Americans’ access to books.

Interestingly, the vast majority of parents do NOT want to restrict their children’s access to books.

What can we do?

The American Library Association notes that 82 to 97 percent of book challenges go unreported. Their site offers a form to report book bans.

Book Riot suggests all sorts of ways to stand up to book banners. One is to form anti-censorship alliances. This can be as casual as agreeing to take regular action with friend who also cares about access to book.

Support your local libraries — patronize your library and vote to approve library levies. Consider joining a friends of the library group or putting your name in to serve on the library board.

Let your local press know this is a topic you want investigated and reported.

Post about your book access concerns on social media.

Support students’ right to read in school by making your views known to the school board and reviewing any new district policies relating to book “appropriateness.” Join the PTA or other school parent organizations and keep the book access topic open.

Create and/or support a banned book club for adults and/or kids. Here’s more on such groups.

Encourage young people in your life to read.

Talk about books you love!

More resources available via

Access to books is already increasingly limited for today’s young people. The high school “library” serving my rural community is used as a study hall as well as to charge tablets. The shelves offer a paltry selection of books, with new volumes rarely purchased. There are 20 percent fewer school librarians compared to ten years ago with three in ten school districts lacking even a single librarian. School libraries and public libraries were a lifeline for me in my growing-up years. It’s hard to imagine that simple freedom restricted for today’s youth.

“Libraries matter for the same reason parks matter. Because to blossom, human beings need public spaces that enable play, freedom and social contact without any ties to consumption. Think about it for a moment: there aren’t that many left. All we see in the street is for sale, pushing us to measure ourselves by how much we can own instead of how much we can feel and think and imagine. A library is a contem­porary haven in that sense. A place that holds a million doors into a million worlds, and they’re all at your reach. For free.”  ~Laia Jufresa   

Favorite 2021 Reads

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Here we are at the close of another long pandemic year. The family of five next door is recovering from Covid, a neighbor across the street has been released from ICU but still struggles to breathe due to Covid. I am grateful for so much in this year of crisis –tender words, caring people, careful science, an ever-louder call for justice, the natural world’s infinite teachings in every tree and stream and dragonfly. And of course for the way books help hold me together even when so much is falling apart. Here’s a nod to a few of the most memorable books I read this year.

FICTION

a The Summer That Melted Everything (Indie link) by Tiffany McDaniel is a holy wow of a novel. Strange, allusive, and so beautifully written that I’m able to overlook my usual insistence on a redemptive ending. Character names alone are compelling: names like Autopsy, Grand, Dresden. This is a perfect book group pick because there’s so much to talk about on every page. During the hot summer of 1984, Fielding Bliss’ father asks the devil to show himself. A 13-year-old stranger named Sal, a boy who speaks like an angel, shows up claiming to be the devil. McDaniel writes, “If looks were to be believed, he still was just a boy. Something of my age, though from his solemn quietude, I knew he was old in the soul. A boy whose black crayon would be the shortest in his box.” The town of Breathed, Ohio reacts. Simmering bigotry and condemnation flare in reaction to Sal’s gentle ways and to the heat itself. McDaniel writes, ”It was a heat that didn’t just melt tangible things like ice, chocolate, Popsicles. It melted all the intangibles too. Fear, faith, anger, and those long-trusted templates of common sense.” ** a The Beekeeper of Aleppo (Indie link) by Christy Lefteri tells of the artist Afra and her beekeeper husband Nuri. They live close to family and friends in the lovely hills of Aleppo, Syria until they are forced to make a harrowing journey to safety, fleeing to the UK where Nuri hopes to work with his cousin teaching fellow refugees to become beekeepers. Their quiet endurance is not all strength. As Lefteri writes, “There is always one person in a group who has more courage than the rest. It takes bravery to cry out, to release what is in your heart.” Lefteri’s novel rises from her work with refugees and her parents’ refugee experience. Somehow she manages to make this wrenching topic not only deeply affecting, but almost magical. This is thanks to her lucid writing but also from the way each chapter’s last word is continued in the first sentence of the next chapter. And in the way we are reminded, “Where there are bees there are flowers, and wherever there are flowers there is new life and hope.” ** a What Comes After (Indie link) by JoAnne Tompkins twines the plot around an abandoned pregnant teen, several suicides, and murder, yet somehow what rises from the author’s words is an abiding trust in inner light — including the ways it can be diminished by unhealed pain. I appreciated the insight into Quaker faith here, especially discernment practices such as the Clearness Committee which “… is premised on the belief that each of us holds an inner teacher, a voice of truth that guides us. We are not here to fix Isaac or give advice or save him. We are here to help him find inside himself the answers and strength he needs.” Tompkins explores themes of kindness, courage, forgiveness, and what it means to raise a child. She writes, “It didn’t take long to understand that there was no recipe or equation. Parenting was a river of moment-by-moment decisions, intuitions, a balancing of one’s own needs, which did factor in somehow, with those of the child. But mostly it was being there, truly there, with all your senses. Trusting the heart knowledge that arises with full attention.” What also stands out for me is the author’s tender brilliance in writing about the connection between humans and their beloved canine companions. The dog, Rufus, is as essential a character as any of the people in What Comes After. I may remember him long after other details about the book fade. a Fight Night (Indie link) by Miriam Toews features an intrepid nine-year-old named Swiv and her far more intrepid grandmother, with appearances by Swiv’s complicated and very pregnant mother. Swiv’s observations are spot on, as in, “He looked sad and happy at the same time. That’s a popular adult look. Because adults are busy and have to do everything at once, even feel things.” I have a thing for novels written from the perspective of perceptive wisecracking children (ala The Elegance of the Hedgehog and Extremely Loud and Incredibly Close and My Grandmother Asked Me To Tell You She’s Sorry). This fits in with the best of them, including gems like, “To be alive means full body contact with the absurd” and “…Mom does the emotional work for the whole family, feeling everything ten times harder than is necessary so the rest of us can act normal.” The little bits of what grandma calls homeschooling make it all the better. a The Dictionary of Lost Words (Indie link) by Pip Williams is an engaging novel which I adored most for what it addresses. If you’re a word lover and book lover, this book is for you. If you’re interested in class division, suffrage, or the British home front during WWI it’s for you. But the galvanizing focus is on which words were deemed worthy of becoming dictionary entries. Williams writes, “Words define us, they explain us, and, on occasion, they serve to control or isolate us.” The main character’s lifelong work is to recognize and save words that were overlooked because they were too common, not in print, not sufficiently upper-class male to deserve dictionary space. Bravo! a Eggshells (Indie link) by Caitriona Lally is, admittedly, not for everyone but I appreciate the journey inside the author’s playfully unique mind. This is the story of Vivian, an abuse survivor whose search for a portal to a world where she belongs also makes her a close observer of a world no one else sees. Until [spoiler alert] she is befriended by someone claiming the name Penelope, another abuse survivor who doesn’t question Vivian’s perceptions but joins in as best she can. I understand other readers’ frustration with the plot’s minimalism, but to me this is a resounding story of resilience and presence. It reminded me, in the best way, of comedian Steve Martin’s sensitive and nuanced book The Pleasure of My Company written from the perspective of a character dealing with agoraphobia. Here’s a favorite quote from Eggshells,  “Two cars are racing through narrow streets lined with stalls. The cars plunge through the stalls, people scatter, tables of fruit and vegetables and meat and fish are knocked and sprawled and squashed and smashed. I want to see the film about the cleanup, the film about the people who are injured by the cars, the film about the people whose livelihoods have been ruined by a man in sunglasses who values his life above all else. I feel like I’m the only person rooting for the fruit seller instead of the hero.” a Mary Jane (Indie link) by Jessica Anya Blau is a charmingly wide-eyed coming-of-age story. In the 1970’s, 14-year-old Mary Jane, who loves to cook with her mother and sing in the church choir, gets a summer job caring for the child of a local doctor. This girl is invigorated by her exposure to a freewheeling household of open affection, wild music, and general chaos. In turn, she exposes them to family dinners, ironed clothes, and predictability. As Blau writes, “In the Cone family, there was no such thing as containment. Feelings were splattered around the household with the intensity of a spraying fire house. I was terrified of what I might witness or hear tonight. But along with that terror, my fondness for the Cones only grew. To feel something was to feel alive. And to feel alive was starting to feel like love.” This story is a refreshing dip into a summer of flip flops, lemonade, and music. Memorable escapism with memorable characters, illuminated by the author’s gentle insistence in finding the humanity in each character. a The Five Wounds (Indie link) by Kirstin Valdez Quade begins as Amadeo Padilla struggles to fulfill a painful role as Jesus in his town’s Good Friday procession, until his pregnant teenaged daughter shows up on his doorstep. This tender, vivid story brings us fully into a young mother’s choices. Under all the obvious dysfunction is a wonderfully complex family. This is a gritty, large-hearted novel about connection, faith, and learning to make do. As Quade writes, “Having children is terrifying, the way they become adults and go out into the world with cars and functioning reproductive systems and credit cards, the way, before they’ve developed any sense or fear, they are equipped to make adult-sized mistakes with adult-sized consequences.”

NONFICTION

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My Grandmother’s Hands: Racialized Trauma and the Pathway to Mending Our Hearts and Bodies (Indie link) by Resmaa Menakem combines deeply personal stories, neuroscience findings, and ancestral wisdom to illuminate a pathway toward racial healing in America. His expertise in somatic therapy — emphasizing the mind-body connection– helps us understand how we (often unconsciously) embody the trauma of past generations. I’ve read a lot about trauma and somatic healing, and this approach takes it another step forward. In Menakem’s words, “A disdain for history sets us adrift, and makes us victims of ignorance and denial. History lives in and through our bodies right now, and in every moment.”

One more quote: “Recent studies and discoveries increasingly point out that we heal primarily in and through the body, not just through the rational brain. We can all create more room, and more opportunities for growth, in our nervous systems. But we do this primarily through what our bodies experience and do—not through what we think or realize or cognitively figure out.”

a Punch Me Up To The Gods (Indie link) by Brian Broome is a powerhouse of a memoir. It is made more intensely and achingly meaningful by the author’s repeated close observation of a father and young child, wrapping up with a beautiful letter to the child who is both a stranger and himself. This book is funny, revelatory, and a necessary wisdom teaching. Here are two short excerpts to demonstrate just how wise: “I think about my father and the clarity that comes with age tells me that he must have suffered… He was anxious. He was lonely. And he was insecure. There is no thing on earth more dangerous than a man who refuses to accept he is carrying all of these loads, because it then becomes up to everyone else to carry them for him in one way or another.” “It is only through your own lived experience that you will learn that living on the outside of ‘normal’ provides the perfect view for spotting insecure and flimsy principles camouflaging themselves as leadership or righteousness.” a To Hell With It: Of Sin and Sex, Chicken Wings, and Dante’s Entirely Ridiculous, Needlessly Guilt-Inducing Inferno (Indie link) by Dinty W. Moore describes growing up Catholic and wondering why Dante’s angry poem “Inferno” led Christianity to embrace the concepts of original sin and hell. Moore’s careful observations are amusingly irreverent but also deeply informed. He wonders what his life and those of his ancestors might have been if they hadn’t lived under constant threat of damnation, concluding “. . . this grand mystery of creation and life . . . is not something that can be neatly packaged into a strict set of rules and punishments, hung on the door of a church, and used to order the actions of mankind for century upon century.” He also writes about the toll of depression, noting”…each time that ugly snake of despair circled around me and tried to take a bite out of me, I was kept alive by humor and by incredulity. And thank God for humor and incredulity, because I deserve to be happy. We all deserve to be happy.” Don’t miss this brilliant, funny, revelatory book. a The Plateau  (Indie link) is an exploration by anthropologist Maggie Paxson into the history of a French village, the  Plateau Vivarais-Lignon, known for a centuries-long tradition of offering safe haven to strangers in wartime and refugees in today’s world. Paxson (I love that the first three letters of her last name mean peace in Latin) takes her time exploring (and yes, dragging out the narration) to consider what led this region to follow conscience rather than much safer allegiance to rulers in times of evil. This is a topic dear to me, so I don’t expect everyone will enjoy the details Paxson offers, but it’s heartfood for me. As Paxson writes in the first chapter, “Surely, there had to be ways of looking for… eye-to-eye decency. Surely, there were ways to study its power and its limits, particularly when people were faced with tempestuous times. Were there communities out there that were good at being good when things got bad? In my research on memory, I’d studied practices of resistance and persistence. Could there be communities that were somehow resistant to violence, persistent in decency? I didn’t know exactly what I was on to, but I knew I wanted to study it. In shorthand, I called it peace.” Every account of conscience and compassion is nourishment to me, making this book a meal. a Wonder Art Workshop: Creative Child-Led Experiences for Nurturing Imagination, Curiosity, and a Love of Learning (Indie link) by Sally Haughey is my new favorite in process-oriented, exploratory art for young children. Each project is an invitation to play which empowers children to experiment, invent, and express themselves. Already I’ve set out several of these projects for the youngest people in my life. We’ve picked flower petals and hammered their colors onto fabric, we’ve dipped toys in paint to wheel and stomp onto paper, and we’ve arranged pictures on the ground composed of feathers, pinecones, stones, and leaves. a Home Ground: Language for an American Landscape (Indie link) edited by the late Barry Lopez is unlike any other book I’ve read. It’s a treasure trove of deeply local terms for America’s waterways and landscapes in 850 descriptions and 70 quotations gathered from writers Luis Alberto Urrea, Linda Hogan, Barbara Kingsolver, Bill McKibben, and many others. As Lopez writes in the introduction, “We have a shapely language, American English. A polyglot speech, grown up from a score of European, African, and Asian immigrant tongues, and completely veined with hundreds of expressions native to the place we now occupy –Uto-Aztecan, Eyak-Athabaskan, Iroquoian, Muskogean, Caddoan, and Salishan. We have named the things we’ve picked out on the land, and we’ve held on to the names to make ourselves abiding and real, to enable us to resist the appeal of make-believe lands, hawked daily as anodynes by opportunists, whose many schemes for wealth hinge on our loss of memory, the anxiety of our alienation, our hunger after substance.” This anthology of place-based terms isn’t one most of us would read from first to last page. Instead it’s a resource for any of us who love words and love the natural world. a The Body Is Not An Apology (Indie link) by Sonya Renee Taylor goes well beyond body positivity to explode cultural pressures to fit into oppressive “norms.” As she writes, “Living in a society structured to profit from our self-hate creates a dynamic in which we are so terrified of being ourselves that we adopt terror-based ways of being in our bodies. All this is fueled by a system that makes large quantities of money off our shame and bias.” She seamlessly demonstrates that the transformation of radical self-love can lead to transforming systems of injustice. This is a book to underline, highlight, dog-ear. It’s a book to revisit, often. It’s a book to give to friends or to read with friends. As Taylor writes, “Our beliefs about bodies disproportionately impact those whose race, gender, sexual orientation, ability, and age deviate from our default notions. The further from the default, the greater the impact. We are all affected – but not equally.” One more quote from this entirely quotable book: “Natural intelligence intends that every living thing become the highest form of itself and designs us accordingly… Natural intelligence does not require we do anything to achieve it. Natural intelligence imbues us with all we need at this exact moment to manifest the highest form of ourselves, and we don’t have to figure out how to get it. We arrived on this planet with this source material already present.” a Rust Belt Femme (Indie link) by Raechel Anne Jolie is a memoir of growing up in Cleveland towns not far from where I was raised. Her childhood was a mosaic of struggle, laughter, and cultural touchpoints specific to the late 80s and early 90s. Jolie includes crucial insights about class as well as stirring descriptions of her hungry mind. Here’s one sample: “Summer days in the valley were the closest thing I had to religion. The shattered-glass water in the creek, the abundance of the mill, running like the wind was carrying me against an earth full of bones. It was awe and repentance, holy baptism washing the soles of my dirty feet. It was daydreaming that felt real for survival. It was all sacred ritual, inadvertent and weightless as grace.” a The Butterfly Effect: Insects and the Making of the Modern World (Indie link) by Edward D. Melillo deftly pulls science, history, and culture together to create an entirely enticing read. This book describes the little-recognized world of insects including their role in myth, art, and culture; the ways they are used (including to make silk, shellac, dye); and their essential interconnection to everything else in nature. I found myself talking about this book to whoever found themselves in the same room I was in while I read. a Gone To The Woods: Surviving A Lost Childhood (Indie link) by the late Gary Paulsen, a much-admired author of more than 200 books for children and teens about wilderness, adventure, and resilience. His coming-of-age memoir, written in third-person, is a testament to surviving extremely challenging circumstances and an entirely memorable book. Here’s a relatively mild glimpse from its early pages, when Paulsen is five years old. “His mother took him to the station in Chicago, carrying his small cardboard suitcase. She pinned a note to the chest of his faded corduroy jacket scribbled with his name and destination, shoved a five-dollar-bill in his pocket, hugged him briefly, and handed him over to a conductor… who assured her the boy would be ‘carefully watched.’ As soon as his mother’s back was turned, he jammed the boy in a seat between two wounded soldiers coming home to recuperate, and disappeared –he would not be seen again for the whole trip.” a How to Be an Antiracist (Indie link) by Ibram X. Kendi brilliantly weaves ethics, history, science, and culture into a more whole cloth. As Kendi writes, “What’s the problem with being ‘not racist?’ It is a claim that signifies neutrality: ‘I am not a racist, but neither am I aggressively against racism.’ But there is no neutrality in the racism struggle. The opposite of ‘racist’ isn’t ‘not racist.’ It is ‘antiracist.’” On these pages, Kendi asks us to reflect, challenge ourselves, rework our beliefs, and commit to activism. As he says, “Americans have long been trained to see the deficiencies of people rather than policy. It’s a pretty easy mistake to make: People are in our faces. Policies are distant. We are particularly poor at seeing the policies lurking behind the struggles of people.” a Beautiful Souls: Saying No, Breaking Ranks, and Heeding the Voice of Conscience in Dark Times (Indie link) by Eyal Press follows the paths taken by four unlikely resisters. The author doesn’t present them as inspiring stories but instead delves into psychology, history, and social pressure to explore what made these people act as they did. From the prologue, “This is a book about such nonconformists, about the mystery of what impels people to do something risky and transgressive when thrust into a morally compromising situation: stop, say no, resist.” Press makes it clear that acts of conscience are seen by the majority as betrayal rather than heroism or moral courage. These acts often lead to a lifetime of stigma. I was inspired anyway. a From Here to Eternity: Traveling the World to Find the Good Death (Indie link) by Caitlin Doughty, mortician and death acceptance advocate, takes us on a global journey to better understand how people everywhere handle grief and their own fear of death by participating fully in customs which honor the dead. Although at first Doughty considered the concept “holding space” to be “saccharine hippie lingo,” she comes to recognize it as a crucial part of what we are missing. She writes, “Everywhere I traveled I saw this death space in action, and I felt what it means to be held. At Ruriden columbarium in Japan, I was held by a sphere of Buddhas glowing soft blue and purple. At the cemetery in Mexico, I was held by a single wrought-iron fence in the light of tens of thousands of flickering amber candles. At the open-air pyre in Colorado, I was held within the elegant bamboo walls, which kept mourners safe as the flames shot high. There was magic to each of these places. There was grief, unimaginable grief. But in that grief there was no shame. These were places to meet despair face to face and say, ‘I see you waiting there. And I feel you, strongly. But you do not demean me.” She also writes, “Show me the manner in which a nation cares for its dead and I will measure with mathematical exactness the tender mercies of its people, their respect for the laws of the land and their loyalty to high ideals.” Especially now, with a pandemic raging, this is a galvanizing read. a The Dangerous Old Woman: Myths and Stories of the Wise Woman Archetype (Indie link) by Clarissa Pinkola Estés is only available in audio format, which is the perfect way to take in deep wisdom teachings that mix stories and poetry to examine the ancient legacy of the crone. She says, “Did you know, you were born as the first, and the last and the best and the only one of your kind, and that eccentricity is the first sign of giftedness? These are two of the crone truths I have to offer you.” This is a slow, yet transformational journey that casts light everywhere. As Pinkola Estés says, “If you are not free to be who you are, you are not free.”

Paired Poetry Gift Ideas

You may have never given a poetry book as a gift. Most people have never bought a poetry book for themselves either. Yet a wealth of excellent poetry awaits, with more books coming out every day, each one capable of creating new poetry lovers. When I give a poetry book, whether to a poetry lover or a doesn’t-really-read-poetry friend, I like to pair the book with a related present. Here are a few suggestions based on books I’ve read recently. (Many are anthologies, a great way to entice readers.) Let these ideas inspire your own ideas. And please share in the comments what gift you’ve paired with a book, or what you’d like to receive in tandem with a book.

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The Hungry Ear: Poems of Food and Drink edited by Kevin Young (indie link) is a nourishingly hearty 336 page anthology with works by Elizabeth Alexander, Tracy K. Smith, Martín Espada, and others. It’s also perfect to pair with food-related gifts. Consider gifting it with something flavorful, like locally roasted coffee or spiced nuts. Or really step it up with a legacy gift like these salt boxes made from trees milled and shaped by the crafter. If you have the time, you might instead gift it with something you’ve cooked or baked yourself.

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Maggie Smith’s Goldenrod (indie link) explores parenthood, nature, and memory with a uniquely sharp tenderness. Somehow I think a picture frame goes well with this gift, a way of honoring what’s dearest to your recipient.  

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Ohio’s current Poet of the Year, Quartez Harris, is driven by his work as a second-grade teacher as well as by his students’ experiences with gun violence, poverty, and racism. I’d pair We Made It To School Alive with a gift certificate, maybe one that allows the recipient to give toys, games, or books purchased from black-owned businesses like Kido, Little Likes Kids, Paper Play and Wonder, or Puzzle Huddle to a loved child or to donate them to an area daycare, school, or afterschool program

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How To Love The World: Poems of Gratitude and Hope (indie link) edited by James Crews is a deep refreshing sigh in book form. These poems are antidotes to hurry, worry, and divisiveness. There are many gifts that could accompany this anthology but it occurs to me that Darn Tough, the guaranteed-to-last U.S.-made socks, are perfect for cozying up at home as well as exploring the world. The way poetry is, too, although without the socks’ airtight guarantee.

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Ada Limón’s Bright Dead Things: Poems (indie link) intimately connects the reader to place and memory with what I can only describe as courage flung wide open. I like to imagine an unexpected gift idea sparked by the title, like a 3D printed skull planter made from eco-friendly bioplastic by a woman-owned business. Maybe tuck a hardy succulent in with your gift…

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U.S. Poet Laureate Joy Harjo gathers the work of more than 160 poets in this historically comprehensive anthology of Native poetry, titled When the Light of the World Was Subdued, Our Songs Came Through (indie link). The works represent nearly 100 indigenous nations including current poets such as Natalie Diaz, Tommy Pico, and Layli Long Soldier. You might pair this gift with hawthorne jam or wild rice mix from Red Lake Nation Foods, candy clusters from Bedré Fine Chocolate, or use the Native Products Directory to purchase goods from other Native and First Nations entrepreneurs.

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Poetry of Presence: An Anthology of Mindfulness Poems (indie link) edited by Phyllis Cole-Dai and Ruby R. Wilson, is 252 pages of peace. Anything that speaks to you of mindfulness is a perfect pairing. Each time I dip into this collection I feel cleansed and more whole. Maybe a handmade bar of soap from a local shop or one of the literary goats milk soap bars from The MacBath shop.

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In The Shape Of A Human Body I Am Visiting On Earth: Poems From Far and Wide (indie link) edited by Ilya Kaminsky, Dominic Luxford, and Jesse Nathan opens on every page to stirringly memorable poetry, both old and new, from around the world. World poetry is wide open to gift possibilities. I’m a staunch supporter of Kiva.org which also has a storefront with products handmade by Kiva microlending clients with plenty of fine offerings.

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Black Girl, Call Home (indie link) by Jasmine Mans is a tribute to her mother and an evocation of home wherever it is found. Mans speaks to feminism, trauma, and growing up as a young, queer Black woman. It reads like music to me, so I’d pair it with tickets to a show at a local venue, with headphones, or with a Spotify gift card.

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Woman with a Fan: On Maria Blanchard (indie link) offers Diane Kendig’s vividly intelligent poems and essays in response to Spanish painter Maria Blanchard, whose art has long been overlooked due to sexism and ableism. It would be fun to pair this gift with a Spanish wine, spices, or olive oil bought from a local shop or online from La Tienda.  

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The poems in Wendell Berry’s This Day: Collected & New Sabbath Poems (indie link) rise from the poet’s deep connection to the land and its influence on his faith, politics, and relationships. As he says, “I believe in what I stand on.” I’d pair this with a sturdy gardening implement like a good trowel or maybe the wondrous delight of a mushroom-growing kit.   

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Sandra Lim’s The Wilderness (indie link) maps the inner and outer selves with an evocative and philosophical, well, wildnessFor some reason it occurs to me that it pairs well with a magnifying glass or another reminder to really look, up close, at what’s around us.

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Rikki Santer’s new collection, Stopover (indie link) is inspired by Rod Serling’s classic and unforgettable Twilight Zone series. You might pair it with an Imagine If You Will t-shirt or a Twilight Zone pint glass.

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Another World: Poetry and Art by Young People from The Poetry Studio, (indie link) edited by Ann and Tony Gengarelly, is an inspiring anthology for readers of any age. “These students’ poems and art … ring of truth in a time of lies,” says Young People’s Poet Laureate, Naomi Shihab Nye, “We need them.” I’d pair this gift with an eco-friendly, endlessly reusable Rocketbook notebook which “writes” like paper on wipe-clean pages yet can send your notes directly to cloud services. Or maybe with jewelry made out of plastic drawn from ocean waste.

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If you’re still reading, let me mention two of my own books. I was named 2019 Ohio Poet of the Year on the strength of my book Blackbird. (indie link) Each book sold is also a donation to the Medina Raptor Center. Although the poems range far from the topic of birds and on to subjects as unusual as cow pastures, dictionaries, to-do lists, and astrophysics –you might pair it with a gift of birdseed or a homemade birdfeeder like these birdseed outdoor ornaments. My most recent book is Portals (indie link) with poems seeking connection between our inner and outer worlds. To me this book pairs well with the quiet light cast by beeswax candles. I can recommend candlemaker Maribeth Moser whose etsy shop offers simple as well as whimsical candles. One of my favorites is her fern patterned pillar candle.  

Definitions and Beyond

“Some words are more than letters on a page, don’t you think? They have shape and texture. They are like bullets, full of energy, and when you give one breath you can feel its sharp edge against your lip.” ~Pip Williams

The Dictionary of Lost Words, by Pip Williams, is an engaging novel written in a gentle style that evokes an era of teapots, shawls, and regular correspondence. (Okay, still my era….) I appreciate it for its love of words and books as well as for topics including class division, suffrage, and the British home front during WWI.

The main character’s galvanizing focus is on why some words were deemed worthy of becoming dictionary entries while others were not. Her lifelong work became saving words overlooked because they were too common, not in print, or insufficiently upper-class male to deserve dictionary space.

I grew up in a word-loving family and my own kids have taken that much farther than I might have imagined. When very young they developed an unnamed game of verbal jousting I call, in this post, Game of Slurs, although the post doesn’t go into just how amusingly over-the-top they could get with inventive word pairings. They also played, with only minor nudges from me, all sorts of dictionary-based games including my favorite, Blackbird. And all of us have unconsciously incorporated words into our everyday conversations that, apparently, seem strange to those around us. When they were younger, some of my kids consciously modified what words they used when, but these days they not only use whatever obscure words they like, they also, well, “experiment” on others to see if they can get them to start using such words too.

I’m grateful it’s now commonplace for everyday vernacular to show up in print and online dictionaries, although dictionaries will never be fast enough keep up with linguistic improvisations in music, film, literature, and everyday conversation. (There are several sites where you can look up words first found in print in your birth year. Merriam-Webster’s version of this includes sixty words for 1992 including buzzkill, civil union, exoplanet, hacktivism, meh, skeezy, smack talk, and woo-woo.)

In many ways, the language(s) we speak shape the way we think. We will never know what ways of thinking about, seeing, and interacting with the world are lost to us when we speak only one language. This is even more troubling in relation to entire languages going extinct. The Linguistic Society of America reports there are more than 6,500 languages used worldwide. Eighty percent, by some estimates, may vanish within the next century.

My problem, as a writer, takes place in a much smaller arena — my head. Much as I love words, it often seems impossible to fit meaning more than partway into language. I might manage to get a pinch of the inexpressible in, but that’s it, and only if I’m lucky. It’s like trying to stuff a galaxy into a suitcase and still zip it closed.

I hope we all do what we can, in these troubling times, to use language clearly, kindly, and well. Even more, that we make every effort to listen.

Forgetting Books We’ve Read

“If we think of a library as a city and a book as an individual house in that city, each sentence becomes one tiny component of that house. Some are mostly functional – the load-bearing wall, the grout between the bathroom tiles – while others are the details we remember and take away, perhaps recalling their texture and colour when we assemble our own verbal dwelling-place.”  –Jenny Davidson

Who I am is constructed, in part, out of books I’ve read. When I read, especially if I love what I’m reading, I feel as if the book has entered my very bone marrow. But I read, on average, four or five books a week. Often more. Where has my mind put decades of books?   

Julie Beck’s article in The Atlantic offers an answer. It’s titled, “Why We Forget Most of the Books We Read.” She writes, “people often shove more into their brains than they can possibly hold.” She cites a study from 2009 showing the average American encounters 100,000 words a day. Our memories simply cannot keep all this information readily available. I say pish posh, the memories we take in from what we read has to do with its relevance. We hang on to the information that most impacts us, intrigues us, or that we put to use.  

Beck also points out we’re better able to recall the context in which we read a book, so we remember reading a green-jacketed novel based in Sierra Leone while on vacation, but are likely to recall the book’s contents. To me that’s one of memory’s gifts. I’ll never forget reading The Color Purple while nursing my firstborn or reading The World According To Garp while on the couch recovering from knee surgery or becoming so immersed in by Kathleen Grissom’s The Kitchen House while at an airport departure gate that I missed my flight.

Okay, maybe I feel threatened by the idea that I’ve wasted literal years of my life reading books that simply float beyond memory into a void. But there’s plenty of evidence that books change us, whether we remember them well or not at all.

  • A study at Emory University found reading can have long-term effects on our biology. Study participants read only part of a novel, yet still showed significant increases in connectivity between the left and right brain regions. This effect lasted for several days. Imagine the effect of reading regularly!   

  • Stanford’s Natalie Phillips found an overall increase in blood flow during close reading. She writes in Stanford News, “paying attention to literary texts requires the coordination of multiple complex cognitive functions.” Blood flow also increases during pleasure reading, but in different brain areas. Phillips suggested that each style of reading can create distinct patterns in the brain that are “far more complex than just work and play.” 

  • Regular readers, according to various studies, are much more likely to volunteer, donate to charity, and vote than non-readers.

  • Research demonstrates that people who find themselves most transported by fiction and who express the most empathy for the book’s characters are more likely to express empathy in real life. 

  • Fiction readers score higher on theory of mind, which is the ability to understand other people’s thoughts, emotions, and perspectives. It’s likely to stem from the way we engage with stories. As researcher Keith Oatley writes, ”These effects are due partly to the process of engagement in stories, which includes making inferences and becoming emotionally involved, and partly to the contents of fiction, which include complex characters and circumstances that we might not encounter in daily life. Fiction can be thought of as a form of consciousness of selves and others that can be passed from an author to a reader or spectator.” 

Yes, we “forget” books we’ve read in the sense that we can’t easily recall them, or maybe recall but can’t remember much of the plot. In school-like terms, we can’t pass the test. I can’t help thinking, however, that this goes much deeper than surface recall.

Tiny babies take in language all around them. They learn, on their own timetables, more and more words. (Which adults around them can’t help but “test” with “What does an owl say?” and react in delight when the child hoots.)
They also learn what reactions words elicit (Making the sounds for “Want milk” turns, magically, into actual milk.) And they learn much more – how words convey and transform emotion, how words affect people differently, how words on
a flat page can hold a world-stretching story, how words can soothe and harm and instigate and become vehicles for imagination. Thankfully babies acquire language without testing them on where they first learned a word or what picture book taught them about the sounds made by owls.

I believe we take books in much the same way. They sink in deep and stay there whether we can dredge them back up to the surface of recall or not. I can remember some books reasonably well without Google’s help, but those are a fraction of the books that expanded my perspective, deepened my spiritual outlook, and gave me glimpses of lives well beyond my own. I may not remember the titles I’ve loved but at the same time I know they changed me. Still, I’ll let Billy Collins have the last word. 

FORGETFULNESS   by Billy Collins

The name of the author is the first to go
followed obediently by the title, the plot,
the heartbreaking conclusion, the entire novel
which suddenly becomes one you have never read, never even heard of,

as if, one by one, the memories you used to harbor
decided to retire to the southern hemisphere of the brain,
to a little fishing village where there are no phones.

Long ago you kissed the names of the nine muses goodbye
and watched the quadratic equation pack its bag,
and even now as you memorize the order of the planets,

something else is slipping away, a state flower perhaps,
the address of an uncle, the capital of Paraguay.

Whatever it is you are struggling to remember,
it is not poised on the tip of your tongue
or even lurking in some obscure corner of your spleen.

It has floated away down a dark mythological river
whose name begins with an L as far as you can recall

well on your own way to oblivion where you will join those
who have even forgotten how to swim and how to ride a bicycle.

No wonder you rise in the middle of the night
to look up the date of a famous battle in a book on war.
No wonder the moon in the window seems to have drifted   
out of a love poem that you used to know by heart.

 

 

 

Favorite Books Read In 2020

“A book does not beep at you, spy on you, sell you out to marketers, interrupt with breaking news, suck you into a doomscrolling vortex, cease to function in a nor’easter, flood your eyes with melatonin-suppressing blue light or otherwise interrupt your already troubled sleep.”  ~Margaret Renkl

In 2019 I wrote a summary of the year’s joys, including titles of the best books I read. I have fewer things to celebrate this year but I am grateful for many blessings, among them wonderful books which are a welcome distraction from the ongoing horrors of 2020.

My budget doesn’t have much space for book purchases, but that’s okay, I’ve found a lifelong refuge in libraries. Many people have felt threatened by shortages of toilet paper and sanitizing wipes but I worry instead that the complete library lockdowns we experienced in the spring might recur. I’m one of those library patrons who regularly reserves a slew of books, from children’s picture books to those most recently reviewed in literary journals. Thanks to the extra hours insomnia gives me, I get through at least four books a week, often more. It’s impossible to imagine my life without books. Our rural county’s library system recently closed again due to increased pandemic risk but thankfully we can continue to get our books curbside. Every day a new pile of books comes in feels like a birthday to me. 

Among those I’ve got on order!

Here’s a shortlist of the best fiction and nonfiction I’ve read this year, along with my hope that you’ll share some of your own favorites in the comments.

 

Nonfiction

Entangled Life: How Fungi Make Our Worlds, Change Our Minds & Shape Our Futures by Merlin Sheldrake. You know that feeling when you encounter someone filled with awe? You can’t help but be captivated right along with them. That’s how I experience Merlin Sheldrake’s fascination with fungi. Neither plant nor animal, fungi are found everywhere and sustain nearly all living systems. Fungi connect plants in vitally necessary underground networks. They are influence the way we think, feel, and behave. They can also break down plastic, explosives, pesticides, and crude oil. Yet over ninety percent of their species remain undocumented. Sheldrake writes, “Without this fungal web my tree would not exist. Without similar fungal webs no plant would exist anywhere. All life on land, including my own, depended on these networks.”   library link

 

The Home Place: Memoirs of a Colored Man’s Love Affair With Nature by J. Drew Lanham is a memoir, a reckoning with history, and a love letter to nature. Reading it, I am with the author as he explores the woods, minds his Mamatha, works to please his father, and discovers what he values. The writing soars in places, especially in descriptions of wilderness. J. Drew Lanham writes, “I eventually realized that to make a difference I had to step outside, into creation, and refocus on the roots of my passion. If an ounce of soil, a sparrow, or an acre of forest is to remain then we must all push things forward. To save wildlife and wild places the traction has to come not from the regurgitation of bad-news data but from the poets, prophets, preachers, professors, and presidents who have always dared to inspire. Heart and mind cannot be exclusive of one another in the fight to save anything. To help others understand nature is to make it breathe like some giant: a revolving, evolving, celestial being with ecosystems acting as organs and the living things within those places — humans included — as cells vital to its survival.”   library link

 

See No Stranger: A Memoir and Manifesto of Revolutionary Love by Valarie Kaur. The author is a civil rights lawyer, filmmaker, and Sikh activist who describes how her experiences with personal and collective suffering led her to reclaim love as a world-changing force. She writes, “Joy is the gift of love. Grief is the price of love. Anger protects that which is loved. And when we think we have reached our limit, wonder is the act that returns us to love.”  library link

 

To Speak for the Trees: My Life’s Journey from Ancient Celtic Wisdom to a Healing Vision of the
Forest by Diana Beresford-Kroeger. When the author was orphaned as a child, elders took her in as the last ward under the Brehon Law. She was taught the ways of Celtic healing, the laws of the trees, Brehon wisdom, and the Ogham alphabet; all of it rooted the belief that forests are essential. Beresford-Kroeger grew up to became a botanist whose understanding of ancient ways brought her to new scientific breakthroughs. These include the discovery of mother trees, the chemical language of trees, the recognition that trees heal living creatures through the aerosols they release, and more. Beresford-Kroeger writes, “The elders versed in the mores of the Celtic culture instructed me in the meaning of a special word, buíochas. It means, as best I can render it, tender gratitude. The buíochas should be very high in each person, like a glass that is full. Buíochas is also a self-protection. You should carry gratitude in your heart for everything inside and outside your life and all the small things that impinge on your consciousness. The feeling of buíochas is like a medicine of the mind that holds your life together.”   library link

 

Field of Compassion: How the New Cosmology is Transforming Spiritual Life by Judy Canato. I’m in a study group diving deep into cosmologist Brian Swimme’s Powers of the Universe and Canato’s book is a good companion volume (along with those by Thomas Berry, David Bohm, Teilhard de Chardin, and Cynthia Bourgeault). Canato encourages us to create a “field of compassion” by practicing four attitudes: spaciousness, contemplation, commitment, and imagination. She writes, “Compassion changes everything. Compassion heals. Compassion mends the broken and restores what has been lost. Compassion draws together those who have been estranged or never even dreamed they were connected. Compassion pulls us out of ourselves and into the heart of another, placing us on holy ground where we instinctively take off our shoes and walk in reverence. Compassion springs out of vulnerability and triumphs in unity.”   library link

 

Divergent Mind: Thriving in a World That Wasn’t Designed For You by Jenara Nerenberg. This was a groundbreaking read for me. In several sections I nearly cried from the sheer relief of feeling understood. I am, by the standards of this book, neurodivergent. That includes my diagnosed ADHD, my sensory issues, and what’s left of my synesthesia.  Nerenberg reveals the ways girls and women’s sensory processing differences are overlooked or masked. We blame ourselves rather than learn to celebrate diversity’s gifts. She writes, “The world will benefit significantly from talents such as empathy, emotional intensity, certitude, sensitivity, ability to detect details, depth of thought, will to embrace, and many other things that we need in a time where alienation, coldness, superficiality, and emotional hardness are predominating.”  library link

 

Memorial Drive: A Daughter’s Memoir by Natasha Trethewey. Written with precise and courageous prose, Trethewey shares the story of her mother’s life as well as her own early years. Despite the violence of her mother’s death, this memoir contains the sort of calm that comes of going deep to understand more fully. She writes, “What matters is the transformative power of metaphor and the stories we tell ourselves about the arc and meaning of our lives.” This book is an extraordinary example of that arc and meaning.   library link

 

Thin Places: Essays from In Between  by Jordan Kisner. Throughout these intelligent and always engaging essays, Kisner, who describes herself as “naturally reverent,” considers evangelical churches, neurosurgery, reality television, autopsies, and much more. Her search for meaning resonates strongly with me, as in this passage.  “Because thin places involve an encounter with the ineffable, they’re hard to talk about. You know something has happened, some dissolution or expansion, but like most things that feel holy and a little dangerous, it just sounds weird in post-factum description…  But then, the thin places I’ve known aren’t always places, per se. Sometimes a thin place appears between people. Sometimes it happens only inside you.”   library link

 

The Oldest Story In The World  by Phil Cousineau. My (own!) copy is underlined, starred, and littered with margin notes. Cousineau is a polymath whose love of story takes him (and us) on a journey from ancient Aboriginal tales to modern parables to the power of sharing our own stories. He writes, “Stories strangify experiences and estrange the world so we can rise above it like smoke, if even for a moment, to catch a glimpse not only of what is happening – but what it all might mean. That’s the beauty of it. That’s why stories are a means to an end, and the end is meaning, a meaning that emerges slowly with every daring glimpse into your own inward life.”   library link

 

Becoming Duchess Goldblatt  is an improbable tale about the redemptive powers of social media and the rewards of fandom. This memoir, anonymously written by a reclusive working writer, takes us with her as she creates the fictional character Duchess Goldblatt. I’ve enjoyed the wit and kindness of Her Grace on Twitter, enjoy it even more in this charming memoir. As the Duchess writes, “Sometimes I tie your words in linen with a little lavender and mint and use them as a poultice for my weary old heart.”   library link

 

 

Fiction

The Overstory by Richard Powers is a magnificent accomplishment. Very human stories converge with the natural world in wonder-inducing ways.  I loved everything about it and couldn’t help but read sections aloud to my mostly-patient spouse. I also understand fellow readers who got bogged down by its complexity. My booksmart friend Laurie gave me two helpful hints before I started. She said she made quick notes to help her remember the main character in each chapter. She also said it was not a book to read over a long period of time, instead it’s best to keep reading to fully absorb the impact over a series of days. I totally agree. Here’s a sample. “But people have no idea what time is. They think it’s a line, spinning out from three seconds behind them, then vanishing just as fast into the three seconds of fog just ahead. They can’t see that time is one spreading ring wrapped around another, outward and outward until the thinnest skin of Now depends for its being on the enormous mass of everything that has already died.”   library link

 

Sharks in the Time of Saviors by Kawai Strong Washburn. I was swept up away this remarkable book, especially where it steeps in the numinous. It’s a modern-day story of a struggling family whose lives shudder to the pulsing heartbeat of Hawaiian gods. Each family member’s gifts and burdens come across in pitch-perfect prose as they move ahead carrying the past’s shadows. Here’s a sample of Washburn’s writing. “But that’s the problem with the present, it’s never the thing you’re holding, only the thing you’re watching, later, from a distance so great the memory might as well be a spill of stars outside a window at twilight.”  library link

 

A Burning by Megha Majumdar is set in modern-day India. It connects the lives of an impoverished Muslim girl accused of terrorism, a coach willing to do anything for an extreme political party, and an outcast with dreams of glory. It has parallels to life in the U.S. and is so engrossing that I stayed up much of the night reading it start to finish. Here’s a sample, “I stand tall, though colors appear bright in my eyes, the greens of trees luminous as a mineral seam, the ground beneath my feet composed of distinct particles. My legs buckle, and the policewoman catches me. A shout goes up among the crowd.”   library link  

 

Hamnet  by Maggie O’Farrell twists a tiny bit of Shakespeare’s life into a tale of motherhood, grief, and determination in a time of plague. She effortlessly brings the reader into the daily lives of women in Elizabethan England with lucid prose, like this passage. “The trick is never to let down your guard. Never think you are safe. Never take for granted that your children’s hearts beat, that they sup milk, that they draw breath, that they walk and speak and smile and argue and play. Never for a moment forget they may be gone, snatched from you, in the blink of an eye, borne away from you like thistledown.”   library link

 

The Other Americans by Laila Lalami is the tale of an immigrant family caught up in a murder mystery. It’s also a love story and a stark example of how much the personal is also political. Here’s a sample. “Perhaps memory is not merely the preservation of a moment in the mind, but the process of repeatedly returning to it, carefully breaking it up in parts and assembling them again until we can make sense of what we remember.”    library link

 

The Night Watchman by Louise Erdrich brings us into the lives of distinctly memorable characters, one based on her Chippewa grandfather. We can feel the cold night air, the omen in an owl’s call, the warm stew, the pencil scratching across paper, the long history honored within traditions. The story takes place in the early 1950’s yet feels entirely relevant today. Here’s a bit of Erdrich’s prose. “Things started going wrong, as far as Zhaanat was concerned, when places everywhere were named for people—political figures, priests, explorers—and not for the real things that happened in these places—the dreaming, the eating, the death, the appearance of animals. This confusion of the chimookomaanag between the timelessness of the earth and the short span here of mortals was typical of their arrogance.”  library link

 

The Vanishing Half by Brit Bennett is a singular tale. Twin sisters from a small, all-Black community run away from home in their teens only to follow very different paths. Bennett’s meditation on race, identity, and family is both timely and timeless. As she writes, “That was the thrill of youth, the idea that you could be anyone. That was what had captured her in the charm shop, all those years ago. Then adulthood came, your choices solidifying, and you realize that everything you are had been set in motion years before. The rest was aftermath.” library link

 

Betty by Tiffany McDaniel is inspired by the author’s ancestors. This painful coming-of-age story is riddled with poverty, racism, and abuse. At the same time, it’s a transcendent read. Somehow McDaniel makes each beautifully written paragraph seem effortless, as she does in this passage. “My father’s hands were soil. My mother’s were rain. No wonder they could not hold one another without causing enough mud for two. And yet out of that mud, they built us a house that became a home.”  library link

 

The Boy in the Field by Margot Livesey.  This is an observant and captivating book centered around siblings whose lives are forever changed after finding a victim of a violent crime. Livesey is a master at creating authentic characters. I’d have happily followed them through any plot. Here’s a glimpse. “If Zoe was the one who found things, their little brother was the one who noticed them: the different yellows of two eggs yolks, the way a person’s lips twitched when they met him, the first snowdrops pushing up through the frosty grass, the curve of a dog’s eyebrows.”    library link

 

Stars of Alabama by Sean Dietrich actually reminds me of a Steinbeck novel. Dietrich is a gifted storyteller who makes this saga sing. His characters’ broken hopes and strange yearnings are imbued with hope. Here’s a sample: “Their lives weren’t beautiful. In fact, their lives were hard. And whenever they settled into a routine, along came something that changed it. They always seemed to be a few meals away from starvation, and they seemed to have less each month than they had the month before. But life doesn’t have to be beautiful to be pretty, Paul thought. All it needs is red hair.”   library link

 

“I have always loved the feel of books, the way they give a literal weight to words and make of them a sacred object.”   ~Natasha Trethewey

 

 

Let’s Give Each Other Literary Prescriptions

During a hard time in my life, when I was really struggling with despair over the state of the world, I found myself dragging through the nearly 800 pages of historian Barbara Tuchman’s A Distant Mirror: The Calamitous 14th Century.  Her book began by describing weather changes that limited the growing season across Europe for four hundred years and went on to explore the effect on average people when elites took every opportunity to expand their wealth and power. Willful ignorance and greed gave rise to invasions, revolts, and pograms. Atrocities in daily life abounded. It was common, for example, to leave unwanted babies outside to die of exposure, to abuse animals, to attend public executions for their entertainment value. Somehow this grim book helped me lift my head from what had me so downcast and see, no matter how dire things seemed, we humans have improved. A look back at history shows, despite current evidence, we are indeed evolving into more compassionate beings.

A few years later I ran across a far more directly life-enhancing book, Pronoia Is the Antidote for Paranoia: How the Whole World Is Conspiring to Shower You With Blessings by the imitable Rob Brezsny, whose bio describes him as an “aspiring master of curiosity, perpetrator of sacred uproar, and founder of the Beauty and Truth Lab.” I bought as many copies as I could afford, giving one to anyone whose spirit seemed weighted or who suffered from a chronic Eeyore-itis. I hoped the book’s magically reverent yet irreverent tone might heal them too.

Unexpectedly necessary books of all kinds have often shown up exactly when I needed them, a phenomenon sometimes called the work of library angels. More often, books have been suggested to me by people who were sure I’d love the same book they just finished reading. They are usually right. It’s no exaggeration to say that a day hasn’t passed since I learned to read that I haven’t spent at least some time with a volume of fiction or nonfiction.  To me, books are more than escape. They are a journey beyond myself. They lift me into wonder. When I close the pages I return to my life gratefully expanded for the view.

What have you been reading that elevates you? That makes you laugh? That helps you see things in a new way? That completely takes you into a new world? I’d love to hear what you’ve enjoyed lately. Here are a few of my literary prescriptions.

Virgil Wander by Leif Enger. I have adored this author’s work ever since Peace Like a River.  Enger loves words and the way they can be layered. This is evident everywhere including in many of his character’s delicious names — Rune, Adam Leer, Shad Pea, Fergus Flint. And oh my, the main character’s name — an epic poet paired with threads from his poem. I was right there in this town, traveling through Virgil’s days with him. I could smell the old movie theater and see the films playing, could sense the raven’s claws on my shoulder and feel the kite string play out through my fingers. Enger deftly tells a story with nuanced emotion and quiet wit. Here’s a small dose:

“The old man had tears in his eyes. He touched my shoulder as the men rode in on their Harleys and Indians and Hondas. They were led by a graybeard on an olive-drab Triumph. In they rolled, gloves on, black helmets squeezing faces red from the wind, a pack of paunchy old centaurs come to bury their own.”

This book gives us a small town with wide open skies where people’s lives are touched by what is unknowable. Best of all, it ends on a note of redemption.

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Spoonbenders by Daryl Gregory tells of a family in which each member possesses a psychic gift that may also seem like a curse. One of the characters in this entertaining book is truly an original in today’s literature. Buddy Telemachus has, since early childhood, seen the future. An observer might assume he suffers from a severe obsessive disorder or worse, but his behavior is that of a man desperate to avoid altering the future he sees and at the same time to save his family, even though he’s convinced his own timeline is running down to an early oblivion. I love (and weirdly understand) this character. Gregory’s story is addictive. Here’s a brief rumination by one of the main characters, (the obviously fuddy-duddy) Teddy Telemachus:

“The problem with getting old was that each day had to compete with the thousands of others gone by. How wonderful would a day have to be to win such a beauty contest? To even make it into the finals? Never mind that memory rigged the game, airbrushed the flaws from its contestants, while the present had to shuffle into the spotlight unaided, all pockmarked with mundanities and baggy with annoyances: traffic fumes and blaring radios and fast-food containers tumbling along the sidewalk. Even an afternoon such as this, spent cooling his heels in a well-appointed park, under a sky as clear as a nun’s conscience, was chock-full of imperfections that disqualified it from top ten status.”

~~~

Priestdaddy by Patricia Lockwood is simultaneously hilarious and clever. It’s also strangely familiar, as if odd families wherever they may be still run on the same current. The author is a poet and precise writer. On nearly every page are passages so perfect they linger like chewy literary caramel.

“I sometimes wish my childhood had been less obsessed with the question of why we are here. But that must be the question of any childhood. To write about your mother and father is to tell the story of your own close call, to count all the ways you never should have existed. To write about home is to write about how you dropped from space, dragging ellipses behind you like a comet, and how you entered your country and state and city, and finally your four-cornered house, and finally your mother’s body and finally your own. From the galaxy to the grain and back again. From the fingerprint to the grand design. Despite all the conspiracies of the universe, we are here; every moment we are here we arrive.”

~~~

Jewelweed by David Rhodes is a multifaceted and marvelously written book. It’s told from many viewpoints—a chronically ill child, a wary young mother, a minister, an ex-con, a long-distance trucker, and many more. Each character reveals him or herself in quietly brilliant observations. For example, here’s a thought shared by Winnie, the minister.

“Winnie cherished Jacob’s need for passion from her, and sometimes imagined that his consciousness consisted primarily of an awareness of his own sexual instinct–his own gateway to rapture. Thankfully God had created this vital opportunity for bliss, yet Winnie remained convinced there were many more avenues that could be followed to divine pleasure. People could become hyperconscious in countless ways. It was possible. The sight of a hummingbird–along with the sound of its thrumming wings–once revealed to her how she had long ago lived with tiny black feet and a nectar-searching tongue. Her shoulders remembered the thrilled rhythms. On another occasion, the taste of a strawberry related its entire history of self-propelled spirit into matter. All human sensations could, she believed, provide paths to the same state of ecstatic worship. The principalities of civilization had hidden most of these gateways to heightened awareness, however, and for most people now, the only way back to the blessed original state involved a spectacular sexual event. And while Winnie rejoiced as much as anyone else in extraordinary sexual events, she sometimes feared that keeping the species alive had nearly replaced being alive, as if the entire galaxy of spontaneous felt-unity threatened to become perversely focused on one narrow impulse.”

~~~

A Path Appears: Transforming Lives, Creating Opportunity by Nicholas Kristof and  Sheryl WuDunn is, like their equally compelling book Half The Sky: Turning Oppression Into Opportunity For Women Worldwide, simply remarkable. The authors write about social ills and social progress, but in both books they do so through the stories of people who are making positive changes. These books carefully analyze the evidence  to help us understand how any of us can make a difference. Truly heartening and important reads, both. 

“Let’s recognize that success in life is a reflection not only of enterprise and willpower but also of chance and early upbringing, and that compassion isn’t a sign of weakness but a mark of civilization.”

~~~

The Wet Engine: Exploring the Mad Wild Miracle of Heart by Brian Doyle, who passed away last year at age 60, leaving 20-some books. Too few from such a gifted, gentle soul. The impetus for this book began when Doyle’s infant son needed several heart surgeries. The boy grew up healthy, yet the author writes,

“Not a day goes by, not one, that I do not think of my son, tiny and round and naked and torn open and heart-chilled and swimming somewhere between death and life; and every day I think of the young grinning intense mysterious heart doctor who saved his life; and for years now I have wanted to try to write that most unwriteable man, to tell a handful of the thousands of stories that whirl around him like brilliant birds, to report a tiny percentage of the people he has saved and salved, and so thank him in some way I don’t fully understand, and also thank the Music that made him and me and my son and all of us; and somehow it seems to me that the writing down of a handful of those stories will matter in the world, be a sort of crucial chant or connective tissue between writer and readers, all of us huddled singing under the falling bombs and stars; and more and more over the years I have become absorbed and amazed at the heart itself, the wet engine of us all…”

This book meanders, as the passage above meanders, into faith and science and healing. I found myself reading parts of it aloud to my husband because they were just so beautiful. It’s a perfect read for anyone, at any age, who has had heart trouble. Also perfect for the rest of us because we have hearts too.

~~~

Reincarnation Blues by Michael Poore centers on Milo, who hasn’t yet reached perfection and is nearing the cosmic limit of 10,000 incarnations. An added complication —Milo is in love with Death (who prefers to be known as Suzie). It’s a clever plot, allowing author Michael Poore to change voice and tone as he shows us dozens of these lifetimes. Some, including Milo’s life as a meatpacker, offer an insightful view of human motivation. The book is packed with tiny delights, like the occasional homage to Where The Wild Things Are. It’s also illuminated by passages like this one when Milo is trying, but failing to meditate:

“But it can’t be helped, because it’s not just your head, is it? It’s the head and soul of all the voices of all your ten thousand lives and eight thousand years and all their pasts and futures, all the cavemen and race-car drivers and milkmaids with pale cheeks, all the spacemen, crickets, economists, and witches. The voices are full of the things people are full of, the things they will carry with them into whatever future takes shape, things like waffles and hard work and things you hope no one finds out.”

At times I found the whole pretense of perfection a bit of an overreach. The between-life portions of the book felt frustrating, especially when Milo had just done something damn useful or deeply compassionate in his past life, but it still wasn’t perfect enough. If, as Reincarnation Blues insists, each soul is charged with achieving something amazingly transformative before ending the cycle of rebirth, Earth itself would be Nirvana. Or maybe that’s the point.

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There are so many more books I want to talk about, but let’s hear what books are captivating you lately. It may be just the thing someone else needs to read.

Are You a Courtly or Carnal Book Lover?

 

I am that monster.

But hear me out. Or rather, hear Anne Fadiman who frames the monster dichotomy differently. In Ex Libris: Confessions of a Common Reader, she divides bookworms into two types: courtly and carnal lovers. In her view, those who approach books as courtly lovers treat its physical form as “inseparable from its contents” and do everything possible to keep it in as virginal state as when it was first published, believing any wear or damage to the book’s body is less than the contents deserve.

Carnal book lovers, in contrast, regard a book’s words as inviolable, “…but the paper, cloth, cardboard, glue, thread, and ink that contained them…” are no more than a vessel to be treated “…as wantonly as desire and pragmatism dictated.”

Courtly book lovers use the thinnest bookmarks or avoid them entirely to avoid leaving any vestigial marks. That way when they’ve finished, they have honored the book by leaving it in pristine quality to keep or pass along.

Carnal lovers mark their places with whatever is at hand. That’s me. Among other things, I’ve used pens, other books, feathers, leaves, postcards, torn-out book reviews, and to-do lists. After I’m done I have often intentionally left in my books as small mementos —- a child’s drawing, a recipe, a cartoon. (I dog-ear the pages I want to return to, I use bookmarks to keep my place. Other monsters’ habits may vary.)

Courtly book lovers somehow keep their pages pristine despite the very human dew of sneezes, tears, and baby drool.

Those of us who are carnal book lovers love more messily.  We read in bathtubs and under leaky umbrellas, on sandy beaches and in leaf-spattered tents. We barely look up from the text while drinking coffee, slurping soup, or slopping curry into our mouths. A few unintentional spatters add to the history we have with that page— a sort of personal “Kilroy was here” marking what else we were taking into our bodies as we were taking those words into ourselves.

A courtly book lover is careful to never, ever crack a book’s spine. Some of us in the carnal lover category splay open a book’s spine as we read so that light leans into every inch. Some of us turn open books over to hold our places or set something on an open book to hold it as far open as possible. To us, the cracked spine is a sure sign of a well-loved, much-consulted volume.

Possibly most offensive to courtly lovers is marking a book’s pages. Underlining starring, sketching, and writing margin notes seems downright abominable to them. But to carnal book lovers like me this represents a personal conversation with the author and the author’s ideas. When my friend Diane passes a book along, I enjoy what she’s underlined and written, as if she’s reading it along with me. When I read a book my father once owned I enjoy his penciled margin notes, many of them addressed first-person to himself. Back when I bought used textbooks, all those highlighted portions and margin notes helped me pay more attention. Sometimes that was because I wouldn’t have underlined what previous readers found important, other times because those scrawled comments were more interesting than the book’s text.

The carnal book lover’s approach can and often does result in loving a book to shreds. Heck, that means we have to buy another copy to share, which is a great way to support authors we love. Courtly lovers tend to buy copies to share as well, because they’d rather not expose their beloved books to the ravages of another reader. Win/win for authors!

What we all have in common is love of books. Books sink into us, transport us, allow us to live hundreds of lives. When and where we’ve read them is often forever locked into what we’ve read.

What sort of reader are you?